FRAMED Abstract landscape original acrylic painting on canvas 'Rose quartz underfoot'

An original small square format abstract landscape painting from the new Small Works collection. Titled 'Rose quartz underfoot'.

Free shipping within Australia. Shipping outside Australia will be invoiced separately and based on your location.

Medium: Acrylic on canvas

Professionally framed in a Vic Ash floater frame. Wired on the back and ready to hang.

Small works are easy to style and hang. They make a bold statement on their own and can be grouped together for bigger spaces.

STORY OF THE WORK:
My love of paint and the process of creating paintings brings me a particular energy, one of inspiration and a feeling of being grounded and connected to myself. I hope to pass this joy on the to you.

Love this piece but have a bigger empty wall space? You have options: 

Order a print
Prints on paper and canvas will be available in 5 sizes, including large format, very soon.

Add your detail via this link to be notified when prints are available - PRINTS - you also get 10% off your first print order.

Commission a large painting
Commissions are a great way to get the perfect custom piece for your home. I would love to create a larger original painting based on this piece for you - find out more via this link - commission a painting.

Need help choosing a group of works?
For help with curating a group of paintings or prints for your home, office, clinic or firm please email belinda@belindamarshall.com 

Or, you can message directly via the 'Message us' button at the bottom right of this page. Questions welcome!

STORY OF THE COLLECTION:
The new collection is about capturing the romance of the landscape and the sense of longing for escape that it represents.

Working within a loose structure of an imagined or remembered place gives me the freedom to play with abstraction and to explore and express the feeling of being in a beautiful natural environment, without trying to depict reality.

The process of building layers in an unplanned way gives the work an exciting energy. Using a variety of transparent and opaque layers, some earlier marks are kept and others covered. This overlapping of shapes and colours reveals the essence and story of the painting.

Literal landscape references like trees or reflections of water may appear, but it’s the abstract organic shapes and pops of colour - the glittery light popping through the leaves or the snake-like puddly shadows below the trees - that lead the viewer through the painting to a place of quiet reflection and calm. 

Reproduction photography by Matthew Stanton.
© Belinda Marshall